From Wikipedia, the free encyclopedia. Retrieved 23 December National Endowment for the Arts. Retrieved 12 July Retrieved 24 December The New York Times. Hopper Management. May Archived from the original on 21 August When Tyler talks about wanting to die, it seems as if he is just being flip but gradually the reader will come to realize that he is serious: he really is desperate. Then he starts thinking about the gun that his father keeps hidden away. As life gets more difficult for Tyler, the temptation of using the gun increases.
Despite the serious psychological themes of the novel, Anderson keeps the tone of the novel light most of the time. Tyler has good friendship with his buddy who he calls Yoda, who is interested in dating Tyler's year-old sister Hannah, and the three of them often joke around.
Tyler makes self-deprecating and sardonic comments as he tells his tightly plotted story, and the book has plenty of dialog, so it is very readable. He has recurrent violent fantasies of beating up other males, especially his own father and Bethany's unpleasant brother Chip, which seem quirky at first, only gradually revealing themselves as being more disturbing.
It is another device with which Anderson makes the difficult themes of dysfunctional families, teen suicide, and teen violence more palatable. The unabridged audiobook performed by Mike Chamberlain is done well. Chamberlain sounds older than 17, but his voice has a good variety of intonation and he has plenty of energy. All rights reserved. Christian Perring , Ph.
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